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David Jones (poet) : ウィキペディア英語版
David Jones (artist-poet)

Walter David Jones CH (known as David Jones, 1 November 1895 – 28 October 1974) was both a painter and one of the first-generation British modernist poets. As a painter he worked chiefly in watercolour, painting portraits and animal, landscape, legendary and religious subjects. He was also a wood-engraver and designer of inscriptions. As a writer he was considered by T. S. Eliot to be of major importance, and his ''The Anathemata'' was considered by W. H. Auden to be the best long poem written in English in the twentieth century. His Christian beliefs and Welsh heritage helped form his work.
==Biography==
Jones was born on 1 November 1895 in Arabin Road, Brockley, Kent, now a suburb of South East London, and later lived in nearby Howson Road. His father, James Jones, had been born in Flintshire in north Wales, to a Welsh-speaking family and was discouraged from speaking Welsh by his father, who, in common with many Welsh-speaking parents of the time, believed that habitual use of the language might hold his child back in his career. James Jones had moved to London to work as a printer's overseer for the Christian Herald Press, and it was here that he had met his wife, Alice, a Londoner born and bred. They had three children: Harold (who died at nineteen of tuberculosis), Alice, and David.
Jones exhibited artistic promise at an early age, even entering his drawings into exhibitions of children's artwork. He wrote that from the age of six he knew that he would devote his life to art. In 1909, at fourteen, he persuaded his parents to allow him to abandon traditional education for art school and entered the Camberwell Art School. There he studied under A.S. Hartrick, who had worked with Van Gogh and Gauguin, Reginald Savage and Herbert Cole, and who introduced him to the work of the Impressionists and Pre-Raphaelites.
With the outbreak of the First World War, Jones enlisted with the Royal Welch Fusiliers and served on the Western Front from 1915 to 1918. He served longer at the front than any other British war writer. His experiences in the trenches were to prove important in his later painting and poetry, especially his involvement in the fight at Mametz Wood.
In 1919 he won a Government grant to study again at Camberwell Art School, from which he followed its headmaster, Walter Bayes, to the Westminster School of Art in central London, where he studied under Bayes and Bernard Meninsky.
In 1921 he became a Roman Catholic. In 1922 he joined Eric Gill's Guild of St Joseph and St Dominic at Ditchling, Sussex, but not as a guild member. There Desmond Chute taught him to engrave in wood. In 1923 he first worked as an illustrator, for ''The Game'' published by Gill and H. Pepler. He returned to London in 1924, but in 1925 often visited Gill at Capel-y-ffin and the Benedictines at Caldey Island, and in the same year did illustrations for ''Gulliver's Travels'' for the Golden Cockerel Press.
In 1927 Jones returned to live full-time with his parents at Brockley, and also spent time on the coast at Portslade near Hove. That year he exhibited seascapes and drawings of Wales at the St George's gallery. He also joined the Society of Wood Engravers.
In 1929 he exhibited at the Goupil gallery, including watercolor landscapes of France. From 1928 to 1935 he was a member of the Seven and Five Society.
In 1933 he suffered a severe nervous breakdown.
His works were shown at Chicago in 1933, the Venice Biennale in 1934 and the World's Fair, New York, in 1939. In 1937 he published his long narrative, ''In Parenthesis'', an epic poem based on his first seven months in the trenches. The following year it won the Hawthornden Prize, at the time the only important British literary award.
In 1944 an exhibition of his work toured Britain.
In 1948 he suffered a second severe nervous breakdown.
In 1952 he published ''The Anathemata'', a dramatic-symbolic anatomy of Western culture.
In 1954 an Arts Council exhibition of his work toured Britain, visiting Aberystwyth, Cardiff, Swansea, Edinburgh and London (Tate Gallery).
In 1974 he published ''The Sleeping Lord'', a collection of mid-length poems.
He died in Harrow, Middlesex, in 1974. His grave can be found in Brockley and Ladywell Cemeteries, Lewisham, SE13, near Brockley.

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